... this blog is an ongoing investigation into modes of suspension that started as a research project in Centre for Research Architecture, Goldsmiths College in 2011 ...

Saturday 11 June 2011

A Real Monument?

In the immediate aftermath of the collapse of the Soviet Union in 1991, monuments all over the country were being toppled and carted off. A very old technique - either worship or destroy. Each time it is history, the past that is being conveniently obliterated. Usually by the same people! In most cases not by the passionate crowds, but cool hand officials. Is there a third way, beyond the tendency to either worship or destroy? Can the monuments be saved through transformation?

Pragmatically each monument is made to be admired, contemplated, worshipped. In reality, however, monuments rarely become objects of genuine cult or admiration. In the urban landscape, the monuments virtually disappear from the field of vision by the obligatory placement of the object - slightly above the eye level, keeping at a distance and inaccessible. But one must keep in mind that monuments are usually constructed on the locations of the old, demolished monuments. Destruction affirms the power of the victor in the same way as the erection of the new monument. In some sense it becomes a memorial to external destruction. The monument is paradoxical - it creates the illusion of continuity, introduces consciousness; but then again it demands a forerunner. Could the time when the monument is detached from a pedestal in fact be historically more valuable than the monument itself? And even more. Isn't the pedestal also a monument, even if there is no figure on top? Doesn't the pedestal designate continuity and stability? It becomes a monument in itself as the statue is just a subject to the influence of time.

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