Mode of suspension, not absence or standstill - rather a mode FOR suspension.
EXPERIMENT
This video essay involves two projections set side-by-side - a fictional world. This fiction exists in the realm of possible as the video assemblage offers no narrative allegory or a clear statement nor is it a documentary of the “truth”. Though clearly set in historically different times, no context or explanation is given. The events are hinted at but not grounded on substance. More than trying to prove a point, the split screen format rejects completeness, singularity and instead can be seen as confronting opinions. Its doubled image announces multiplicity but it feels in-complete. The gaps between and within the frames operate in the realm of the virtual.
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